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One Hundred Years of Solitude
With the artistic form, the great Gabriel Garcia Marquez created the most famous Latin literary work known in the world today. Starting with journalism, this famous author got out of poverty by showing others the living conditions of the Latin people and the conditions they were exposed to. This novel is called One Hundred Years of Solitude and today it still acts as a living testimony for all of Latin America.
Gabriel Garcia Marquez is known today as a well-accomplished Colombian writer who became famous for his revolutionary novel One Hundred Years of Solitude. Born in Aracatuba, Colombia in 1927, Garcia Marquez (known as Gabo for short) is said to have become an overnight success with his work showcasing Latin American culture in such an artistic way that it has been translated into many foreign languages. In fact, the novel was so powerful that William Kennedy said the book was “the first work of literature since Genesis that should be read by the whole human race.” Marquez is credited with contributing to, if not starting, “magical realism,” which emerged in the 20th century along with other modern movements, meaning that he would add an almost fantasy or magical element to his writing, ie. flying carpets and alchemy, which he especially did in his novel One Hundred Years of Solitude.
With this style of writing, Garcia Marquez contributed to the flourishing of Latin America, allowing Latin American culture, such as art and literature, to be introduced to Europe. Gabriel was a radical and independent writer, which was a key factor in his Nobel Prize in 1982 for his “novels and short stories, in which the fantastic and the realistic combine in a richly composed world of imagination, reflecting the life and conflicts of the continent”. Most of the events that take place in the novel One Hundred Years of Solitude are similar to the situations he was in when he was growing up.His grandparents who raised him are very similar to the main characters of the novel such as a very superstitious mother who is afraid of being cursed for marrying his cousin acting as superstitious as his grandparents who kill a man in a duel.
It was in 1965 that Gabriel Garcia Marquez published a moving novel about a family’s struggle to survive the way of life in the simple but mysterious town of Macondo. Infested, but what was later revealed to be destiny, the city witnessed more ups and downs in a century than most civilizations experienced in more than two or three hundred years. Because of Garcia’s occasional use of incorrect writing, the novel becomes well-rounded at the end, causing all the pieces of foreshadowing and irony to meet together in the novel’s resolution. One Hundred Years of Solitude is written in the past tense, however Garcia makes numerous references to the future with almost exact, recurring phrases throughout the novel, with references to the past that seem to haunt many of the novel’s characters. The families we follow are called the Buendias, their story of their journey and struggles coincides with the town itself so that the Buendias and the town of Macondo mirror each other’s actions of all kinds. Fate and destiny play a major role in the novel between the town and the family in almost such an eerie way that the novel feels tense to the reader who is unaware of the fate of the town. Macondo was seen as a very special city due to its isolated nature, but the story picked up when that isolation was broken, whether by an old friend, relative, culture, trade route, imperialism, or war. When the town was isolated at the beginning of the novel, the residents of the town got along very well as each member did their part and contributed funds for the welfare of society. After clashing with other cultures, the turmoil grew until it was too much for the city. In a snowball effect, unfortunately, the city, just like the family responsible for starting it, ended up in a ruined, abandoned way.
Intricately woven between the events of Macondo, the novel One Hundred Years of Solitude is filled with meaning and symbolism designed to entice readers to understand the concepts of life. One of the main factors that Garcia shows is the lyrics’ association with isolation; this is not shown one way or the other, but is mentioned as a necessary balance within the community. Garcia Marquez shows this relationship with the city of Macondo itself and the Buendia family that started out as isolated and then gradually incorporated into other cultures and then ended up in an almost deserted, but this time sad, city that makes too much of the influence of a foreign culture. Rather, greed introduced a repressive force to ensure that the necessary work of the native Macondos was done. Unlike his abhorrence of oppression when he talked about the Buendias family, because of the previous couple who were too close, they gave birth to a son who was born with a pig’s tail, and in an attempt to cut it off, he bled to death so this is nature’s punishment for a family that too closely related. Garcia basically tells us that there has to be a balance between engaging with other sources. Predictions also played a large role in the novel. Although repeated in connection with the novel and claimed almost as many prophecies have been affected, almost all of these prophecies have come true. Whether it’s a young man’s random prediction about an incoming visitor, or the last scene where a prophecy about a very important character would need translation to learn that the city already had its destiny that the passage of things seemed destined. Part of the reason for this is because of the magical realism movement he pioneered, which, as stated earlier, aimed to bring fantasy to reality; the unreal part of this motif was that it was predestination, while the real part was the happenings of the prophecies, a really intricate way of saying what Garcia Marquez was trying to convey, including magical realism.
Much of Garcia’s inspiration was based on his early life events in Aracataca, Colombia. Most of the references to the small town of Maconda can be applied to many small towns throughout Latin America during the early times of superstitious lifestyles and times without advanced technology. Primarily, the Latin American ideology of living is very focused on the family rather than the individual, which is exactly how the story of One Hundred Years of Solitude worked; focused on the Buendia family as if they were one character as a whole, progressing through the older family and allowing the reader to experience the lives and deaths of nearly every family member. The beginning of the novel can refer to the most primitive cultures of America such as the Mayans, the Incas or the Aztecs, and this is due to the extreme isolation of the civilizations and the main concern of the families due to the attempts to become better acquainted with science and technology and their fascination. with the element of gold. The imperialist invasion was something that Gabriel experienced firsthand at a very young age.
Garcia makes no attempt to hide his plan to expose the ruthlessness of the imperialists involved in the fruit trade, making the climax of an entire epic that created a time when the American industry claimed more than 1,000 lives of oppressed and abused banana workers because the workers, after striking, tried to regain their freedom. Through his fictitious, almost fantasy work; Garcia is able to make such a novel historical, if not biographical, revealing the events of his fathers and the present state of his smaller Latin towns. Just like what happened in real life after the imperialists came to the Mayans, with a lot of bloodshed to take, they left the great civilization. All these reasons were enough for Marquez to depict this massacre in his writings.
The novel itself had the spectacular effect of becoming an almost overnight success, making Gabriel García Márquez a forerunner in Latin literature, convincing the currently influential Latin writer Mario Vargas Llosa to compile an over 600-page review devoted to Marquez’s fiction. Not only successful among its own people, Marquez’s One Hundred Years of Solitude experienced fame and sympathy in many European countries. The novel received the Chianchiano Prize in Italy, the Best Foreign Book of the Year in France, Books a broad’s Neustadt Prize, the Romulo Gallegos Prize, and an honorary doctorate from Columbia University, all within three years of its publication. . Although it had such success abroad, Garcia’s novel was able to contribute to the Latin boom and represented magical realism for critics and those who doubted the legitimacy of the movement. Back home, Garcia became a household name and was considered a hero of Colombia, which eventually led to his most prestigious award, the Noble Prize in 1982.
It is clear that this novel was groundbreaking in all literary cultures, breaking language barriers and reminding the present of our past actions. Today, Gabriel Garcia Marquez is still alive, and his novels and legacy not only for the people of Colombia but for the entire literary culture live on today. His work is a constant reminder that the best-written novels are those that use great, well-defined characters to explain what has happened in today’s world, while intricately combining the necessary literary movements of the time.
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