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A hobbit is a measure of weight equal to 168 pounds (or 4 Welsh pecks). You probably expected a different definition of hobbit. I read that the English author JRR Tolkien was fascinated by the Welsh language and customs, to the extent that he based his fictional elven language on Welsh meanings, words and traditions. When Wales became part of the United Kingdom in 1707 (after a long and difficult transition), it didn’t mean that that the Welsh fell in line and did as they were told. In particular, a very independent Welsh language and culture survives today, and it’s not just fine, a cultural identity, once seen as rebellion, is now being encouraged across all members of the United Kingdom.
Tolkien said that he worked on the manuscript of “The Hobbit” for 2.5 years, with the intention that the story would be a fairy tale that adults would read to children. Indeed, his creation of a “half” relative of humanity resulted in child-sized adults who had physical characteristics that appeared to belong to full-sized humans (large feet, nose, ears, and sometimes hands). In this, he walked a fine line as a writer. The hobbits, with their appearance and their simple ways, were supposed to entertain children, and perhaps enable their parents to explain the importance of accepting and loving people who look different. However, some prejudice against the little people crept into Tolkien’s hobbit adventures when both humans and other humanoids (elves, dwarves, orcs, etc.) considered the hobbits to be unwise, uninitiated, and largely unimportant. Even Bilbo Baggins recorded such observations about his kind in his book.
How did an imaginary children’s story become a series of violent stories about war? I read that Tolkien incorporated his own horrific experiences as a British soldier in World War I into the stories. I don’t see it. He began writing The Hobbit 12 years after the end of World War I and before the start of World War II. My theory is that the Hobbit had to contain plot and stories of human misery in order to appeal to adults. After all, adults who bought the book would find it too detailed for children to understand or sit still and read to them. The horror of the book seemed to have an effect on those who read it (and many adults couldn’t sit still to read it). But there was little public interest in the story Tolkien wrote, a measure of its success through the constant torment Tolkien endured, which led him to continue the story in one or more additional books.
As Tolkien brought The Hobbit to life, the story evolved into the darker “Lord of the Rings” series. A fantasy writer usually starts with a theme and then adds setting and characters to bring the theme to life. The plot is what intrigues the reader, and good writers obscure the plot or even hide it, so that the story unfolds in an unpredictable way. Thus, the reader is kept interested, on edge, forced to imagine where the story is going, because the author did not give an answer at the beginning of the book. Tolkien gave away the plot early in The Lord of the Rings. The whole story was about another hobbit who agreed to save “Middle Earth” by agreeing to throw a ring into a lion. But remember that Tolkien thrived on detail. By revealing the plot, he allowed himself to explain the entire fictional history of walking talking trees, destroyed elves, wizards rising from the dead, dwarves mining armor, etc. He also empowered himself to breathe life into many characters in the series.
As the characters act out their roles, something inexplicable happens that only another writer can appreciate. Characters tend to lead their own lives, and they are they act within their character, who are fighting with the author about what to do next. They will “try” to bring the story to a different conclusion than the author intended. A disciplined writer reigns in them. An author will rewrite an almost finished work of fiction if he realizes that the story is unfolding untruthfully in relation to the plot. But how could undisciplined characters ruin a plot that simply calls for the ring to be thrown into the lava? I can not. Problem solved.
I think that writing gave Tolkien, an aging war veteran and professor, another world in which to take his mind. He was simply interested in writing fantasy. He was not interested in editing what he wrote (Note: author James Michener also refrained from editing). This is why his books are so voluminous (the size of a doorstop). They contain extensive pages detailing languages and other trivia that can lull insomniacs to sleep. He had problems with book publishers, many of whom believed the story would not sell. Indeed, Tolkien’s books did not become wildly successful until after his death in 2001 and much later, when Barrie M. Osborne produced and Peter Jackson directed the film version of the books.
It was the movies that turned the stories into a bloody nightmare war that should scare children. Even the small and innocent hobbits were turned into killers – the War hobbits. Why? People will pay money to watch these things, just as the Romans did to watch bloodletting in the arena. Do you think Tolkien would care about that? I have no idea how he would feel about that. I think he fulfilled his personal mission with the stories. He wrote them to have something to do with his wandering mind. Once he got tired of it, the hobbit threw the ring at the lion.
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